
Marina Vasiljevic Kujundzic is Belgrade (Serbia) born sculptor based in Singapore. Marina graduated from the Academy of Fine Arts in the class of professor Jovan Kratohvil in her home country in 1989 and completed her postgraduate studies in 1991. From her earliest years Marina developed a strong interest and curiosity about the world of art. Her remarkable enthusiasm and artistic talent drove her to produce hundreds of sculptures ranging in size and materials such as metal, polyester, stone, clay, painted wood, terracotta and different fabrics displaying her versatility in the sculptured media. Marina has been exhibiting her art for over the past twenty years in Europe, and Asia. She has had numerous one-man, group, and invitational shows. Her works are part of the permanent collection of Museum of Contemporary Art Belgrade and many private collections worldwide own and enjoy her art. |
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| IN INTERSPACE BETWEEN "HIGH" AND "UNDERGROUND" ART An important part of the artistic production in Belgrade, and partially Novi Sad, in the '80s had a very accentuated relationship with the new wave in rock music. What was at the beginning impulsively called new image painting was in fact, together with other urban happenings, part of a striking picture of the spiritual climate of the somewhat wild but primarily (at least at first sight) carefree eighties. Not burdened with politics, artists were able to create, particularly in the first half of the decade, distinctive post modernist works – mostly structured and sophisticated. At the end of the '80s there was a change in the visual production, with a generation of artists – primarily sculptors – whose plastic language was far from the boisterous expressiveness of their immediate predecessors. Although it was frequently marked as new generation – which I found wrong and Prussian in relation to their activity and those works: by their context and their broad deliberation they belong to the body of post modernism, regardless of their mimicry of the paradigmatic works of modern art. The exhibition called The Early Nineties – Yugoslav Artistic Scene, held in late summer of 1993 at the Contemporary Fine Arts Gallery of Novi Sad, showed this generation's horizon clearly, although slightly post festum. It was the generation of artists who matured at the end of the '80s and the very transition to the '90s. Those were the artists who could in some way be connected to the concept of unexpressionism and who marked the end of the eighties: first of all, Srdjan Apostolovic, Dusan Petrovic, Dobrivoje Krgovic, Zdravko Joksimovic, then artists who brought a little bit of the narrative into the dictate of geometry – Dragan Jelenkovic, Bozica Radjenovic and Marina Vasiljevic Kujundzic, and the group Apsolutno (Absolutely) from Novi Sad, with Zoran Pantelic, Rastislav Skulec and Dragan Rakic. M.P. (THE ART AT THE END OF THE CENTURY) |




| Landscapes 1991 |

| Landscape with Throne 2007 |


